"Little Richard" Penniman (b. 1932)
Born Richard Wayne Penniman in Macon on December 5, 1932, Little Richard was one of twelve children. His father, Bud, worked as a brickmason, sold moonshine, and operated a juke joint called the Tip In Inn. Despite the business interests of Penniman's father, the family was deeply involved in the church. Penniman's mother, Leva Mae, met his father at a church revival, and Penniman's grandfather and uncle were preachers. Penniman first performed in a family gospel group that often competed against other quartets in local contests. A part-time job at the Macon City Auditorium gave him the opportunity to study many leading rhythm-and-blues and gospel acts.
Penniman was a manic, unruly youngster whose flamboyant mannerisms and gay friends often put him in conflict with his father. He was fascinated by the traveling medicine shows that came through town, and at fourteen he left home with one. By the age of fifteen he was performing with a minstrel show and had adopted the stage name Little Richard.
Little Richard soon gravitated to Atlanta, a focal point for the national rhythm-and-blues scene. At the 81 Theater, Little Richard met and was influenced by the singer Billy Wright, whose big hair, heavy stage makeup, and gospel-styled blues shouting made him a local favorite. Through WGST disc jockey Zenas Sears, Wright helped Little Richard secure a record contract with RCA, and at age eighteen he had his first recording session. While the results were undistinguished, the song "Every Hour" sold well in Atlanta and Macon. Another RCA session was a commercial failure.
Little Richard's music career came to a halt after his father was murdered. To support his family, he took a job washing dishes at a Greyhound bus station in Macon. Eventually, he was back on stage, dominating the Macon rhythm-and-blues scene with a new band, the Upsetters. Bumps Blackwell at Specialty Records in Los Angeles, California, heard a demo tape of the band and felt that Little Richard's dramatic, "churchy" voice might compete with Atlantic Record's latest hit-maker, Ray Charles.
In September 1955 Little Richard met Blackwell for a recording session, in New Orleans, Louisiana, where he attempted several typical blues numbers with studio musicians. Blackwell was puzzled by the discrepancy between Little Richard's flamboyant appearance—his six-inch-high pompadour, eyeliner, and loud clothes—and his low-key singing. The frustrated producer called a lunch break, during which Little Richard began clowning around at the piano, energetically singing and shouting. Blackwell instructed Little Richard to repeat this performance once the session resumed, which resulted in the song "Tutti Frutti."
In 1956 "Tutti Frutti" made it to number two on the rhythm-and-blues chart and, surprisingly, number seventeen on the pop chart. The song's explosive rhythm, powerful vocals, and crazy humor set the pattern for an eighteen-month run of hits. "Slippin' and Slidin' (Peepin' and Hidin')," "Long Tall Sally," "Ready Teddy," "Rip It Up," "Lucille," and "Keep a Knockin'" were all crossover successes, and his live shows and movie appearances established Little Richard as the wildest of the rock pioneers.
In 1957, in the middle of a tour of Australia, Little Richard walked away from rock and roll. Troubled by his excessive lifestyle and embittered by song-royalty conflicts with his record company, he left show business to enter the seminary. A short-lived evangelical career met with limited success, and in 1962 he returned to rock music, touring Great Britain and Germany with the Beatles, who idolized him and performed their own versions of many of his songs.
Further hit recordings eluded Little Richard, but throughout the 1960s and 1970s he regained momentum
Little Richard was among the first inductees into the Rock and Roll Hall of Fame in 1986. In 1993 he received a Grammy Lifetime Achievement Award and performed at U.S. president Bill Clinton's inaugural gala. Having seemingly reconciled his religious beliefs with his love of rock and roll, he remains an exciting live performer.
Charles White, The Life and Times of Little Richard: The Quasar of Rock (New York: Harmony Books, 1984).
Brad Cahoon, Georgia Center for Continuing Education
A project of the Georgia Humanities Council, in partnership with the University of Georgia Press, the University System of Georgia/GALILEO, and the Office of the Governor.