R. A. Miller (1912-2006)
R. A. Miller, a
Born on July 22, 1912, on the property where he lived for most of his life, Reuben Aaron Miller worked in cotton mills, farmed, and served as a preacher for the Free Will Baptist Church. When chronic eye problems began to limit Miller's activities, he started making whirligigs to pass the time.
Although Miller's early whirligigs sometimes featured mechanical figures, most were decorated with flat animal or human shapes, cut from tin and painted in enamel. Miller typically attached these cutouts
After folk-art dealers and collectors began to purchase Miller's inexpensive whirligigs in large quantities, the artist started to make and sell cutout figures independent of the whirligigs. The best of Miller's tin cutouts are gracefully abstracted and animated in gesture. His animal images range from bluebirds, chickens, pigs, and snakes to a variety of dinosaur types, inspired by nature programs on television. Human figures include red devils, angels, such American cultural icons as Uncle Sam and Elvis Presley, and less well-defined characters that sport hats, cigars, or red claws. Miller's most frequent image is a figure emblazoned with the words "Blow Oskar," a reference to the artist's cousin, who would blow his car horn while driving past Miller's property. Cutout shapes of churches,
In addition to whirligigs and cutouts, Miller produced paintings and drawings in enamel or marker on masonite. These works include similar human figures, animals, and dinosaurs, which share space with such short inspirational messages as "Lord Love You" and are surrounded by simple decorative borders.
Miller's work has been included in such exhibitions as Outside the Mainstream: Folk Art in Our Time at the High Museum of Art in Atlanta (1988) and Passionate Visions of the American South at the New Orleans Museum of Art in Louisiana (October 1993-January 1994). Further exhibitions, the inclusion of his work in museums' permanent collections, and articles in such international publications as Raw Vision have contributed to Miller's status as an elder statesman among Georgia's self-taught artists.
In 2004 Miller lost his sight to an eye infection and moved to a nursing home in Commerce, where he died in March 2006. The month before his death, an exhibition of his work entitled R. A. Miller: A Tribute opened at the Brenau University Galleries.
"Reuben A. Miller: The Wizard of Windmills," Foxfire 10: Railroad Lore, Boardinghouses, Depression-Era Appalachia, Chair Making, Whirligigs, Snake Canes, and Gourd Art (New York: Doubleday, 1993), pp. 457-68.
Alice Rae Yelen, ed., Passionate Visions of the American South: Self-Taught Artists from 1940 to the Present (New Orleans, La.: New Orleans Museum of Art, 1993).
Harry H. DeLorme, Telfair Museum of Art
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